Locomotion: n. motive power | Lollygag: v. to waste time puttering aimlessly
Monday, October 31, 2011
Sunday, October 30, 2011
Thursday, October 27, 2011
Wednesday, October 26, 2011
Peace Is Just A Word?
I recently read an interview with one Steven Pinker, whose appealing mixture of optimism and possible delusion sat well with me. Below is a commentary on his latest literary offering.
'In The Better Angels of Our Nature, the celebrated evolutionary psychologist, Harvard professor and bestselling author Steven Pinker argues that we – the human race – are becoming progressively less violent. To the consumer of 24-hour news, steeped in images of conflict and war, that may sound plain wrong. But Pinker supports his case with a wealth of data.
Drawing on the work of the archaeologist Lawrence Keeley, Pinker recently concluded that the chance of our ancient hunter-gatherer ancestors meeting a bloody end was somewhere between 15% and 60%. In the 20th century, which included two world wars and the mass killers Stalin and Hitler, the likelihood of a European or American dying a violent death was less than 1%.
In the book, a series of lists spells out the 'Five Inner Demons' that often cause us to act in evil ways towards each other:
- Predatory or Instrumental Violence
- Dominance
- Revenge
- Sadism
- Ideology
These are countered by the 'Four Better Angels' of human nature:
- Empathy
- Self-Control
- Moral Sense
- Reason
Pinker shows that, with notable exceptions, the long-term trend for murder and violence has been going down since humans first developed agriculture 10,000 years ago. And it has dropped steeply since the Middle Ages. Oxford in the 1300s, he tells us, was 110 times more murderous than it is today.
Nowadays, the notion that life is measurably improving – and there can be no more profound improvement than not being killed or tortured – is about as unfashionable in educated circles as the conviction that western culture is in any sense civilising. However, Pinker challenges several enduring 'truths'. It's not true, he says, that man in primitive societies, being at one with his environment, was less inclined towards violent struggle. Nor was the church-focused village a more peaceful environment than the model that replaced it, the impersonalised cities of the Industrial Revolution. In short, the book is a corrective to the widely held belief that humanity is locked into some sort of moral decline.
Born in Montreal in 1954, Pinker grew up in a middle-class, secular, Jewish household. At the age of 13, he declared himself an atheist and an anarchist, but dropped the anarchism a couple of years later after witnessing the effects of a police strike in Montreal. The strife and chaos he saw apparently changed his perception of human nature. "I was a Rousseauian then." he later recalled. "Now I'm a Hobbesian."
Rousseau believed that modern society corrupted human nature, whereas for Hobbes modern society was a necessary protection from human nature. It's Pinker's contention that without the pacifying influence of a commonly recognised state, we are prone to make life the nasty, brutish and short experience that Hobbes described.
This is the problem with defining human nature: it can seem like a post-facto explanation of social phenomena that are essentially historical accidents. At its most crude, it becomes teleological, ascribing a pattern and an ultimate end to random events. Yet it's also fair to say that a reluctance to suffer and die is part of the human condition and it's only natural that we should seek ways of limiting suffering and death.
It's this vision of our common humanity, what Abraham Lincoln called "the better angels of our nature", that animates Pinker's latest work.'
Let's hope he's onto something.
Saturday, October 22, 2011
Tuesday, October 18, 2011
Lookin' For My Leopard
Monday, October 17, 2011
Thursday, October 13, 2011
Wednesday, October 12, 2011
Black Swan
Last Friday marked Thom's 43rd Birthday
(Not that he looked too pleased about it):
My favourite track from his
2006 solo album, The Eraser:
Tuesday, October 11, 2011
This Side Of The Blue
'And the rest of our lives will the moments accrue,
When the shape of their goneness will flare up anew.
When the shape of their goneness will flare up anew.
Hen - we do what we have to do re-loo, re-loo
Which is all you can do on this side of the blue.'
Monday, October 10, 2011
All The Pretty Horses
Kate Moss looking every inch the winsome snow fairy
complete with white horse carousel, for the Louis Vuitton
Spring/Summer '12 collection at Paris Fashion Week.
Sweet Little Lies
Every now & then, the other half's incessant
movie tinkering yields a particularly appealing
result, in this case in the form of the beautiful
cover art for Little White Lies - a bi-monthly
independent film magazine with a difference:
Hard copies of the publication seem to be in
short supply, but the digital versions are freely
viewable on the Little White Lies website
Sunday, October 9, 2011
Thursday, October 6, 2011
What's A Girl To Do?
Considering a Pop Art themed Hallowe'en this year,
with the help of a Lichtenstein-style makeover:
Introductory faffing aside, this looks pretty good:
Wednesday, October 5, 2011
Monday, October 3, 2011
Where's Me Jumper?
Still unsure as to whether I'll succumb to the
deeply unflattering embrace of oversized, animal
print knits, but they're nice to look at, all the same.
All by Cooperative @ Urban Outfitters :)
Sunday, October 2, 2011
20th Century Boy
Owing to having been slightly swamped in
work, of late, the aforementioned 'Book a Week'
challenge has become a book a month, at best.
Continuing in a similar air of debauchery, Dandy in
the Underworld is the autobiography of the eloquent,
if completely mental, Sebastian Horsley, perhaps best
known for his late adventures in voluntary crucifixion.
Named for a Marc Bolan album of the same
title, it has thus far made for charming reading -
unusually so, for a work that concerns itself with
the more idiosyncratic of the human appetites.
title, it has thus far made for charming reading -
unusually so, for a work that concerns itself with
the more idiosyncratic of the human appetites.
As coroner Paul Knapman put it, Horsley was
'the author of his own misfortune'. It would seem
as though this was quite literally the case.
Subscribe to:
Posts (Atom)