Last Friday saw a recital by British pianist, Andrew Zolinsky, in the Aula Maxima, performing works by John Cage (1912-1992) and contemporaries of indeterminacy, Morton Feldmann (1926-1987) and Christian Wolff (b.1934).
The programme proved that bit too obtuse for a significant portion of the audience, with an uncomfortable mass exodus between works. This went down well, though:
